The threat of losing a family member long- term had to weigh on the group, especially if you consider how unfair the entire situation seemed. What we may take for granted, as fans, is that bands are families too non-traditional, perhaps, but families nonetheless. We see the band for who they are- talented musicians with varied backgrounds who managed to put something special together, and nearly lost it. It's honest, forthright, and unflinching as it reveals to us the band's personal demons along with the celebration of their triumphs and successes. I commend the film for getting through to me as a non-fan of the genre, and furthermore for deftly weaving our new-found intimate knowledge of the band with a messy overseas legal scenario. The end result might seem perfunctory- but be it by accident or not, the filmmakers were able to craft this unfortunate court case to the tune of a perfectly adept legal thriller. However, I also know of the danger in allowing foreign courts, with all the uncertainty, to decide the fate of an American. As an American just familiar enough with our legal system to get by, I could easily spot the holes in the prosecution's case. The documentary does a commendable job of intertwining the emotional journey of Blythe through this process and the guts of putting a real defense together, all laid out before our eyes. What's interesting for our purposes is the legal situation itself.
We'll need to put aside the fact that a human being did die, a young man and fan of the band to boot- that's clearly sad enough. If your first reaction was 'what?', you're on the right track. The prosecution alleged that Randy Blythe was partially responsible for this, and thus charged him with manslaughter- later he was indicted. Why? Back in 2010, as was alleged, a fan died as a result of injuries sustained 'leaping' from the stage at a Lamb of God concert in Prague. Fans familiar with the band know the story, but allow me to illuminate those in the dark- as they landed, the band was detained.
However, we're led down an entirely different path as the band reaches the Czech Republic for a leg of their tour- a path the film had to explore, and it becomes the crux of the experience. If I told you that's simply what the documentary was about, you might think it was perfectly fine as is. That's a fascinating angle that I hadn't considered before, and a welcome thought indeed. After all, it stands to reason that if the lyrics come from a place of hurt, desperation, and anger, it will likely resonate with many a person. "As the Palaces Burn" lends credence to the thought that there exists a healthy connection between the angst and energy of metal and the fans who crave it to release their own. Music has always been an organic, healthy outlet for people it has a way of bringing focus and peace to minds constantly barraged by negativity. That mindset may seem on the verge of sociopathic behavior, but in this context it seems reasonable.
Lamb of god as the palaces burn lyrics driver#
Listening to a young Columbian cab driver spoke volumes- he thinks about "getting out a machete and start cutting off heads", but he puts in the music and he feels better. Their love appears to come not just from the music itself, but also a need to release aggression, to purge unhealthy feelings, and the desire to belong to something. We're introduced to a couple of 'die-hard' fans from different cultures, and the way they explain their affection for this music is unexpected. the purpose of metal music in people's lives, and the extent to which Lamb of God is responsible for that. Vocalist Randy Blythe's intro lays the framework for what this documentary tries to tell us over the first half, i.e. I'm pleased to report that it succeeded, not just in re-educating me, but also the way it deftly handles a complete swing in tone. "As The Palaces Burn" had the unlikely task of enlightening me to a side of music I had dismissed, simply due to a lack of understanding. According to this documentary, they're a metal heavyweight, standing shoulder to shoulder with the likes of Megadeth and Metallica- not that I knew any better. I was clueless to who 'Lamb of God' was, nor did I recognize any songs, despite the band having had the #2 charting album quite recently. Here we are, in March of 2014, and I had remained ambivalent- perhaps until now. Later, I found that I couldn't digest it as music it was too much for me- I only heard unstructured sounds and silly growling. When I was younger, I viewed metal music as dangerous- something the angry, mischievous kids listened to, and thus I stayed away.
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